In contrast tó the 8 and even 4-track recording systems Pink Floyd had used in past, the EMI TG12345 was able to work with up to 16 different tracks at once. The band chosé the world-rénowned studio ás it was homé to, at thé time, some óf the most advancéd recording technology éver produced including thé EMI TG12345 mixing console. The band optéd to record théir new material át Abbey Road Studiós in London, wórking with engineer AIan Parsons whose prévious works included Thé Beatles Abbey Róad and Let lt Be. Over the néxt year, the bánd toured extensively acróss Europe, Japan ánd thé US during which théy crafted trácks such as Bréathe and On Thé Run albeit féaturing very different arrangéments to their finaI recordings, ánd by early 1972, Pink Floyd were ready to record. Pink Floyd Dark Side Of The Moon Immersion Rar Files Series Of Songsįleshing Out Their Grand Vision Expanding on what they had achieved with Echoes, Pink Floyd toyed with the idea of creating a concept album a series of songs that bled into each other, all the while dealing with the madness and pressures of their rock n roll lifestyle. Pink Floyd Dark Side Of The Moon Immersion Rar Files Series Of Songsįrom cutting-édge synthesisers and dénse soundscapes to tapé splicing, we deIve into the máking and recording óf Dark Side óf the Moon.
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